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Geometrikos 6 Painting

Fabrice Lachant

United Kingdom

Painting, Enamel on Wood

Size: 48 W x 48 H x 1.5 D in

Ships in a Crate

SOLD
Originally listed for $3,830

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Brutalist concrete buildings and textures of weathered building walls and facades is a source of inspiration in my work. My slightly obsessive compulsive streak disappears when I am in the studio experimenting with various materials, paint types, plaster, concrete. It is the combination of all these...

Year Created:

2016

Subject:
Medium:

Painting, Enamel on Wood

Rarity:

One-of-a-kind Artwork

Size:

48 W x 48 H x 1.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I would describe my most recent work as a hybrid between photographic images, painting and collage. My creative apprenticeship was as a photographer and filmmaker. After studying film at the Emerson College in Boston Massachusetts, I became a professional photographer with an emphasis on fashion and beauty photography. Through personal photographic work I developed an appreciation of perspective, form and also a love of textures, which i could find in raw concrete forms of brutalist architecture or urban landscapes. I started painting for personal projects. My technique has evolved through experimentation with the ways in which paint and other media can be used to create textures and layers which refer to each other both laterally on the canvas but also three dimensionally through processes of building up layers and also scraping material away. Whether I am looking at another artist’s work or something I encounter day to day in a City street, I am aware of the interaction between layers of material as they both build up and then fall away either on purpose of through decay and destruction. This is a dimension that I am trying to create through my own work. Works which move me have layers and textures and patinas which belie their history. Layers that can no longer be seen directly leave a relief which affects everything which comes after.

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