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This three-visual-layer concept of which this painting roughly consists took place during the painterly process. The first layer is represented by the red, blue, yellow and gray polygons. This polygonal layer forced me to ad a kind of visual response or intervention to it. That resulted into a second layer; white, hard edged lines, similar to a irregular grid. They limit, sharpen, or combine the colored polygons underneath. Some lines cross the polygons despite their shape and seem to stand on a higher altitude. The third level. With the small black acute-angled triangles I wanted to set an accent and emphasize the whole composition with this black highlights.
This three-visual-layer concept of which this painting roughly consists took place during the painterly process. The first layer is represented by the red, blue, yellow and gray polygons. This polygonal layer forced me to ad a kind of visual response or intervention to it. That resulted into a second layer; white, hard edged lines, similar to a irregular grid. They limit, sharpen, or combine the colored polygons underneath. Some lines cross the polygons despite their shape and seem to stand on a higher altitude. The third level. With the small black acute-angled triangles I wanted to set an accent and emphasize the whole composition with this black highlights.
This three-visual-layer concept of which this painting roughly consists took place during the painterly process. The first layer is represented by the red, blue, yellow and gray polygons. This polygonal layer forced me to ad a kind of visual response or intervention to it. That resulted into a second layer; white, hard edged lines, similar to a irregular grid. They limit, sharpen, or combine the colored polygons underneath. Some lines cross the polygons despite their shape and seem to stand on a higher altitude. The third level. With the small black acute-angled triangles I wanted to set an accent and emphasize the whole composition with this black highlights.
This three-visual-layer concept of which this painting roughly consists took place during the painterly process. The first layer is represented by the red, blue, yellow and gray polygons. This polygonal layer forced me to ad a kind of visual response or intervention to it. That resulted into a second layer; white, hard edged lines, similar to a irregular grid. They limit, sharpen, or combine the colored polygons underneath. Some lines cross the polygons despite their shape and seem to stand on a higher altitude. The third level. With the small black acute-angled triangles I wanted to set an accent and emphasize the whole composition with this black highlights.

536 Views

11

View In My Room

Original
Prints

Geometrical Composition Painting

Claudio Köppel

Switzerland

Painting, Acrylic on Canvas

Size: 39.4 W x 39.4 H x 0.6 D in

Ships in a Box

SOLD
Originally listed for $990

536 Views

11

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ABOUT THE ARTWORK
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This three-visual-layer concept of which this painting roughly consists took place during the painterly process. The first layer is represented by the red, blue, yellow and gray polygons. This polygonal layer forced me to ad a kind of visual response or intervention to it. That resulted into a sec...

Year Created:

2015

Subject:

Geometric

Styles:

Abstract

 

Mediums:

Acrylic

, 

Canvas

 

Medium:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 0.6 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Switzerland.

Need more information?

Contact us.

Need more information?

Contact us.

________________________ With my artworks I try to make the invisible visible. Depict things alternatively than experienced obviously in everyday life. Aspects like history, physics, biology and psychology extend my endless research for unique creations and its meanings. Over all, I understand this as a visual poetry. Formaly seen, it is about the tension between abstraction and figuration; a miraculous field in which I move.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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