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Farzana at (camp _18) Painting

Farzana Ahmed Urmi

South Korea

Painting, Acrylic on Paper

Size: 26 W x 30 H x 0.1 D in

Ships in a Tube

This artwork is not for sale.

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Thinking of my friend Farzana at camp_18. The way we all are empty at the same way camp_18 also. We are just trying to survive anyways. So is camp_18 is. But we are setting thorn boundaries all over the camp. As we don't want to set them free? acrylic on paper. working on Rohingya refugees in Bangl...

Year Created:

2021

Subject:
Medium:

Painting, Acrylic on Paper

Rarity:

One-of-a-kind Artwork

Size:

26 W x 30 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Bangladesh.

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Need more information?

Farzana Ahmed (2nd march 1980) is a Bangladeshi expressionist artist whose emotion-imbued portraiture is an exploration and exposition of the human condition through colour, form, and texture. Mostly, Ahmed works with acrylic on canvas but regularly experiments with vegetable dye, colored ink, and other mediums. She earned an MFA from the University of Dhaka, Bangladesh in 2010, and is currently based in Dhaka. Many of the themes Ahmed is exploring in her work currently are inspired by her work with the Rohingya women in the refugee camps of Cox’s Bazar where she was an artist-in-residence for the IOM Rohingya Cultural Memory Centre. In this role, Ahmed facilitated embroidery workshops for Rohingya women in which she guided the production of embroidery pieces exploring new subject matter and themes using a blend of traditional and innovative embroidery techniques. This experience, working with the Rohingya women and hearing their stories, deeply moved Ahmed; and her latest work is an exploration of their emotions as well as her own emotions following their interaction.

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