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Chimp Painting

Gary Schafter

United States

Painting, Oil on Wood

Size: 44 W x 48 H x 3 D in

Ships in a Crate

$6,900

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Chimp

Gary Schafter

$6,900

Shipping included

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50 Views

2

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Artist featured in a collection

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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"The Last Banana" is a painting about paradise lost. Each painting from this series of work has "Time Piece" stamped on the surface of the painting. The title of the painting "The Last Banana" is painted on a display case that might be found at an Anthropology museum. Both of these statements and...

Year Created:

2023

Mediums:
Medium:

Painting, Oil on Wood

Rarity:

One-of-a-kind Artwork

Size:

44 W x 48 H x 3 D in

Ready to Hang:

Yes

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

From 1985 to the present, I have been living and working in San Antonio, Texas as a professional artist. During this period of time, I have had 26 solo exhibitions and have participated in many group shows. I have approximately 400 paintings in private and public collections including the San Antonio Museum of Art (San Antonio, Texas) and the Museum of Fine Arts, Houston. General artistic concerns and themes: At the core of my methodology is a commitment to the ‘tradition’ of painting, to understanding the historical dialogue between surface and illusion, the pictorial and the plastic, subject and content. For approximately the past 20 years, I have been investigating, in general the issue of mediated representation and, specifically, the problematic relationship between image and its referent. The problem of making art intelligible is fundamentally semantic, not aesthetic. In my work, painting subjects (e.g. still life, landscape, animals, etc.) become convention ready-mades’, a foil, by which to explore the relationship between neutral subject, and active concept. Often with irony and humor, I hope to encourage the viewer to recognize the inherent slippage- the subject depicted as subject, and the painting as an artistic conceit as content. Also what I hope to be obvious in this work is the joy of painting , and the excitement of participation in the creative process.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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