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Boquitas pintadas / Tiny painted mouth Painting

Paloma Rodriguez

Chile

Painting, Oil on Canvas

Size: 20 W x 15 H x 3 D cm

Ships in a Tube

This artwork is not for sale.

250 Views

4

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Boquitas pintadas is a serie of paintings inspired by the feminine, in the obsession to paint the lips of different women through the years. Each mouth represents a style, a sensation and a particular action of each woman who poses, is a bit of his femininity.

Year Created:

2017

Subject:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

20 W x 15 H x 3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Chile.

Customs:

Shipments from Chile may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Painter and goldsmith born in Chile, graduated from Fine Arts. I have always felt attracted by images and the idea that everything can be created from their compilation. From this impression and from the recycling of images, I started painting different scenes, fictional scenarios, colourful and provocative, with the intention to trigger spectators to build a personal and creative process under their own experience in relationship to my work. According to this, my proposal follows an appropriationist line, in which the creation process is conceived from a rich mixture of languages. Once images are decontextualized, a digital procedure is applied in order to assemble them in a pictorial collage. The appropriationism and the extraction of the authorship give life to new and original images, implying an outcome that goes from the reflection of the art to a visual pleasure. This, of course, modifies the sense given by the original authors. The intention behind this is to transmit a new kind of plastic and conceptual experience, obtained from the world of publicity, history of art, and literature. The result obtained from the visual discourse is articulated from a variety of little fragments that come from the intervened mass-media, mostly with a digital nature, delivering as a final outcome the resemantization of the artistic work.

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