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Blue Lotus Painting

MARITZA PEREZ

United States

Painting, Acrylic on Canvas

Size: 20 W x 20 H x 0.5 D in

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$949

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ABOUT THE ARTWORK

Blue Lotus, Painting, Cuban Artist, Maritza Perez, Inspired by Henri Rousseau primitive style art. Raising Lotus, blue and green blades of grass itinerants attached to the root of the earth with tentacles deep and fragile. Aqua Blue petals uncommitted to land, buoyant, smiling to the sky. Fresh water meets the third eye of your pleasure point and navigates fluidly in the senses of your memory remembering your smell, the essence of your perfume and the curve of your words. Playful orange blossom, frangipani, and your full smile in the Caribbean of an old love song.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

20 W x 20 H x 0.5 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a multimedia Cuban artist working across media, materials, and scales, from small collage to large art installations with painting, sculptures, and photography in between. I grew up in the second oldest part of the city of Havana, three blocks from Havana Bay and the broad seawall stretching for 5 miles along the coast from old Havana to the new Havana (Vedado), Cuba. Outside of Havana, I have lived in many cities and for a while in the countryside. Crafting narratives that exist in the uncanny space between facts and fiction and using old and new materials I make artworks with unpredictable stories that are half revealed. I explore the dynamics of power relations, social constructs, fragmentation, transgressions, and myths. Central to this is the weight of memory shaping the nonlinear continuity of history and geography, people and places. My process is to allow stories to surface, to propose ways in which we mutate perspectives and see with new eyes allowing for the magic of alternative readings to emerge. From unexpected sources, new visions are created and official narratives are re-examined, enhanced, or dismantled. I am attracted to hybridity, the forgotten history, the anonymous image, the found object. Also religious symbol, intuitive gesture, words. During a process of recombining, the unexpected becomes visible in a multiplicity of works which involve research and planning but also allows for preconceived ideas to give way to flux, chance, and non-permanence. The element of time that has passed is evident in the imperfect quality of used or manipulated materials. In others, new materials are used and objects specifically created. My work can be precise, clean, visceral, rustic, minimal or baroque, where imperfection is embraced and flourishes, the mark of life on everything touched that has history and meaning emerges to be a witness. As each work evolves the medium, forms, and materials find their place in a process that always attracts new ideas to be investigated and new bodies of work to be created. DADA, Arte Povera, Cuban Modernism, Russian Avant Guard, African Art, California assemblage, Native American pottery are some of the things that have guided my work. I am inspired by the colors of the tropics, architecture, books, world religions, textiles, nature, travels I have not yet made, the mysteries of life and the sea...always the Sea.

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