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In my work, nature, science and habitat unite to create spaces and time for internal dialogue. Mechanics and nature merge in a unique network of organic landscapes: both are capable of “containing” or of “being inhabited” creating a sort of hybrid between technology and nature. different forms to express emotions over time and space within “Symbolic Realism”; realism because it does not diligently imitate nature, but rather confronts it through symbolic elements that represent an idea or a specific sentiment. Populated by motors, architectural spaces, flora and fauna, my vision of reality is organised, and comprehensible, as an arrangement of organic networks, as a neuronal web, that is the direct consequence of the experiential path and my innate passion for nature. The motor is done with a transfer technic, the black spots are glued acrylic waste, the head and the animals are painted in oil
In my work, nature, science and habitat unite to create spaces and time for internal dialogue. Mechanics and nature merge in a unique network of organic landscapes: both are capable of “containing” or of “being inhabited” creating a sort of hybrid between technology and nature. different forms to express emotions over time and space within “Symbolic Realism”; realism because it does not diligently imitate nature, but rather confronts it through symbolic elements that represent an idea or a specific sentiment. Populated by motors, architectural spaces, flora and fauna, my vision of reality is organised, and comprehensible, as an arrangement of organic networks, as a neuronal web, that is the direct consequence of the experiential path and my innate passion for nature. The motor is done with a transfer technic, the black spots are glued acrylic waste, the head and the animals are painted in oil
In my work, nature, science and habitat unite to create spaces and time for internal dialogue. Mechanics and nature merge in a unique network of organic landscapes: both are capable of “containing” or of “being inhabited” creating a sort of hybrid between technology and nature. different forms to express emotions over time and space within “Symbolic Realism”; realism because it does not diligently imitate nature, but rather confronts it through symbolic elements that represent an idea or a specific sentiment. Populated by motors, architectural spaces, flora and fauna, my vision of reality is organised, and comprehensible, as an arrangement of organic networks, as a neuronal web, that is the direct consequence of the experiential path and my innate passion for nature. The motor is done with a transfer technic, the black spots are glued acrylic waste, the head and the animals are painted in oil
In my work, nature, science and habitat unite to create spaces and time for internal dialogue. Mechanics and nature merge in a unique network of organic landscapes: both are capable of “containing” or of “being inhabited” creating a sort of hybrid between technology and nature. different forms to express emotions over time and space within “Symbolic Realism”; realism because it does not diligently imitate nature, but rather confronts it through symbolic elements that represent an idea or a specific sentiment. Populated by motors, architectural spaces, flora and fauna, my vision of reality is organised, and comprehensible, as an arrangement of organic networks, as a neuronal web, that is the direct consequence of the experiential path and my innate passion for nature. The motor is done with a transfer technic, the black spots are glued acrylic waste, the head and the animals are painted in oil

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Apollo Painting

Gunter Pusch

Italy

Painting, Oil on Canvas

Size: 55.1 W x 47.2 H x 1.2 D in

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$8,850

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ABOUT THE ARTWORK

In my work, nature, science and habitat unite to create spaces and time for internal dialogue. Mechanics and nature merge in a unique network of organic landscapes: both are capable of “containing” or of “being inhabited” creating a sort of hybrid between technology and nature. different forms to express emotions over time and space within “Symbolic Realism”; realism because it does not diligently imitate nature, but rather confronts it through symbolic elements that represent an idea or a specific sentiment. Populated by motors, architectural spaces, flora and fauna, my vision of reality is organised, and comprehensible, as an arrangement of organic networks, as a neuronal web, that is the direct consequence of the experiential path and my innate passion for nature. The motor is done with a transfer technic, the black spots are glued acrylic waste, the head and the animals are painted in oil

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

55.1 W x 47.2 H x 1.2 D in

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Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Gunter Pusch was born in Landshut, Germany in 1962. After working as a car mechanic and aeronautical mechanic, he took a degree in architecture at the University of Applied Sciences of Munich in 1991. Here he began his studies of industrial and architectural drawing. During this period he travelled extensively throughout Southeast Asia, India, China, USA, Indonesia, Israel and Jordan. In 1992 he begun to work as an architect, at the same time he started with abstract painting. In 2001 he changed in figurative style, after he visited the abandoned factories in Milan and Pavia, Italy. In 2002 he moved to Italy where he continues his artistic activity and works as a professional artist in Milan, Italy. 2014 he opened his atelier in Milan and works exclusively as an artist. In his paintings, technology and nature coming out with a mixture of mechanic alienation and living dimension where humans and nature compete in conquering territories. Motors become a symbolic representation of internal mechanisms, substituting sometimes emotions sites - pictures the conflict between nature and technology. He lives and works in Milan, Italy

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