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Afternoon Tea At The R.A.C. Club Painting

Ingrid Barber

United Kingdom

Painting, Oil on Canvas

Size: 40 W x 40 H x 1 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
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A eulogy to old age and the rituals we adopt to cope with our pasts. Two ghostly old ladies drink their afternoon tea at the Royal Automobile Club, they sit in the tea room next to the regal  fireplace which  is adorned with funeral urns and overshadowed by a swinging chandelier with spying eyes. Th...

Year Created:

2019

Subject:
Medium:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

40 W x 40 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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An artist and maker, Ingrid has put the focus of her recent works on the surreal, fantasy, repetition and absurdity. The thread of the narrative conversation is a constant in her work.     Recently commended by Red Line Artwork for producing art that engages with global concerns, Ingrid’s creative process begins with exploratory work in collage, leading to ink drawings, often large-scale, and the final outcome is a canvas oil painting.   Regularly showing in UK and Europe, Ingrid’s large oil, ‘Afternoon Tea at the RAC Club’ was exhibited at Hauser&Wirth, Black Swan Open in Somerset in 2019. In the same year a large scale ink drawing “Cheese on the door, where’s my stew?” was featured at the Mall Gallery, at the Royal Society of British Artists exhibition. Her ink drawing ‘After the Berlin Holocaust Memorial’ was shown at Landmark Arts and her depiction of the Battle of Waterloo, a large mixed media work featuring lead toy soldiers and earth from the battleground, was shown at the Fine Art Society. Frequently adopting a historical narrative in exhibitions about The Somme, The Russian Revolution , Waterloo and Auschwitz , (working in mixed media , wax and 3D) Ingrid’s work this year turns, in addition, to issues surrounding us in the “now”. The wonders and mysteries before us get swallowed up by the ceaseless conversations of the mind. Although “presence” is a popular concept in this crazy, digitally obsessed, Brexit world we live in, hardly any of us actually manage to do it. We’re too busy worrying about why the soup is too cold. Ingrid’s process is collage, large scale exploratory ink drawings leading to the final outcome in oil paint.

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