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Reinaldo Ortega
Spain
Mixed Media, Acrylic on Canvas
Size: 59.1 W x 39.4 H x 0.1 D in
Ships in a Tube
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Reinaldo Ortega Sardiñas (XXI) Title: Crazy dream of Jean Michel Basquiat in the land of angels and demons (2023) Pop surrealism Technique: Mixed technique on canvas Dimensions: 100 x 150 cm Work signed by the artist. Shipping: The work does not include a frame or wooden frame. Properly packaged in a sturdy cardboard tube and will have tracking through the UPS or FedEx website. Through the graphics and surrealism of Pop Art and with the influence of Urban and Street Art, I recreate my work, ignoring with total indifference all the ideological and cultural legacy of the past; breaking the roles of popular figures and iconic characters that throughout the history of film and television have become aesthetic symbols of great ideological connotation. Through the semanticization of their image and decontextualization in contemporary art, they are today considered universal icons that prevail in popular culture. As a result of my work, I have recreated a style rich in material solutions and technical juxtaposition that, without questioning the order, I combine with my ideas until I obtain a colorful and spontaneous graphic with a fresh and open language.
2024
Acrylic on Canvas
7
59.1 W x 39.4 H x 0.1 D in
Not Framed
No
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Spain.
Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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My name is Reinaldo Ortega, I come from Cuba and I currently reside in Spain. I consider myself a visual artist who opts for the large format. Since 2005 I have been developing my work, consolidating a discourse that starts from documentary photography as an immediate support and that, after its edition and printing on canvas, I intervene with painting techniques. I lean towards the aesthetics of Pop Surrealism and Street Art. I relate several graphic and pictorial techniques in order to achieve a creation process that evolves along with my ideas. Characterizing our time is the pretext that I approach as a starting point for my discourse, giving free rein to the subjectivity of a humorous and abrupt graph. Color in its greatest splendor is the binder that gives meaning to the absurd relationship between popular characters and universal icons that I decontextualize and semantize at will through art.
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