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Pilgrim's Progress Artwork

Sara Owusu-Ansah

Germany

Mixed Media, Oil on Canvas

Size: 12 W x 16 H x 1 D in

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$2,630

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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The dense forest, layered with deep blacks, blues, and earthy tones, forms an almost dreamlike backdrop. The trees, with their skeletal branches traced in electric hues of pink, blue, and orange, seem to pulse with an unseen energy, as if they are alive with whispered stories of the past. Amidst thi...

Year Created:

2024

Subject:
Medium:

Mixed Media, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

12 W x 16 H x 1 D in

Ready to Hang:

Not Applicable

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

My work is an exploration of form and color, where the act of layering, erasure, and reconfiguration allows images to exist in a state of flux. I work across painting, photography, image transfer, and drawing, creating compositions that blur the boundaries between presence and absence, construction and deconstruction. Each piece is a negotiation between control and chance—marks are added, removed, and altered in a process that mirrors the impermanence of memory and perception. Materiality is central to my practice. Whether through the physicality of paint, the ephemeral qualities of transferred images, or the tactile nature of drawn marks, I seek to create a dialogue between process and outcome. The tension between precision and spontaneity is a recurring element, reflecting the delicate balance between intention and accident. At its core, my practice is about transformation—how form shifts, how color resonates, how an image is never truly static. My works invite viewers to engage with their own sense of perception, encouraging them to find meaning in ambiguity and movement. Through this process, I aim to capture the essence of change, both within the work and within the experience of looking.

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