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View In My Room

Body Blow Artwork - Limited Edition of 1

Alex Noble

Japan

Mixed Media, Vector on Paper

Size: 393.7 W x 278.3 H x 0.1 D in

Ships in a Crate

This artwork is not for sale.

789 Views

8

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Part of my new conflict in motion series. This is an image is of the Limited edition Glicee print I released this year for a series of 10. The original prints can be purchased from my shop at the link below

Year Created:

2013

Subject:
Medium:

Mixed Media, Vector on Paper

Rarity:

Limited Edition of 1

Size:

393.7 W x 278.3 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Japan.

Need more information?

Need more information?

My name is Alex Noble and I'm Artist working out of Tokyo Japan. Since leaving my hometown Perth, Western Australia in 2000, I have lived and travelled all throughout Asia. I first began painting in Singapore where I worked as an Advertising Art Director. Although trained as a Graphic Designer, my painting was completely autodidactic and it has been a great journey of self-discovery and experimentation for me ever since. Currently my interest with painting and drawing is a personal reaction to today's digital age of mass production, where everything is perfect and exact and nothing is unique anymore. I like the idea of making an imperfect mark. I like my art to be "the one-off, never to be repeated" type of art. Being a commercial Artist has taught me many different creative lessons about time, quality and the expectations of others. So I'm no brute caveman from the 20th century who rejects modern technology. Rather, digital tools have an important place in my work process, and in fact, many digital tricks go into my work before I even touch brush to canvas. However, for the end result, I strive to produce a man-made and man-crafted work of art, for that has greater individual value to people compared to something just churned out from a machine. Thanks to my frequent travels I have met many people, whom over time, have become the subject matters for my work. Some of them I know personally and others I have just observed casually - to me it is not important. I'm not interested in reproducing them realistically. I prefer to focus on a individual part of them, be it a physical feature or a behavioral trait, and then work from that as a starting point for my imagination to fill in the rest. Capturing the innate essence of a person is more important for art, as I believe it is something a camera cannot do. My art compresses form, motion and personality into one piece of art to create a brand new personality. Alex Noble 2011

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