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LA COCAÍNA ES LA LÍNEA BLANCE EN EL CAMINO AL INFIERNO Drawing

Michael Panteli

United Kingdom

Drawing, Pencil on Paper

Size: 5.8 W x 8.3 H x 0.1 D in

Ships in a Tube

SOLD
Originally listed for $2,570

97 Views

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

LA COCAÍNA ES LA LÍNEA BLANCE EN EL CAMINO AL INFIERNO (Translation: Cocaine is the white lines on the road to hell). This is part of a 2020 series of imagined South American anti-drug propaganda posters from the 1960s. The style of art is taken from early 1950s pre-code horror comics and WW2 propag...

Year Created:

2020

Medium:

Drawing, Pencil on Paper

Rarity:

One-of-a-kind Artwork

Size:

5.8 W x 8.3 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Michael Panteli is a cartoonist and graphic illustrator who cut his teeth working for early 90s UK cult comics Zit and Smut. His Illustration work includes a comicbook series 'Joe Headstock' for , which gained an international following. He has designed various theatre posters and has also worked on several music projects, including album and merchandising artwork for the accomplished singer/guitarist/songwriter Nile Marr, son of Smiths guitarist Johnny Marr. Michael Panteli is also a long- time collaborator with once of his key influencers - underground comic book artist Robert Crumb. They started corresponding by mail in 2001 and have been pen friends ever since, working together on several artworks. His influences include golden age ('pre-code') comics of the 30s, 40s and early 50s, art deco and art nouveau advertising, WWI and WWII propaganda posters and the underground comics scene of the late 60s and early 70s particularly the works of Robert Crumb and Gilbert Shelton.

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