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Detail. Strange creatures
Detail. Fine line ink drawing
Detail. Zoomorphic pot
Detail. Blue ink stripes
Detail. Weird eyes staring

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ISHTAR GATE BABYLON 569 BC Drawing

Anthony Martin

United Kingdom

Drawing, Ink on Paper

Size: 23 W x 16.6 H x 0.1 D in

Ships in a Box

$257

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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'Ishtar Gate Babylon 569 BC' Going to the British museum recently reminded me of how amazing some of these ancient monuments are that have been reconstructed. Although I have never seen in real life the Ishtar Gate. I was inspired to create creatures that look as fantastical and strange as the drag...

Year Created:

2023

Subject:
Medium:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

23 W x 16.6 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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"Anthony Martin’s art style is characterized by a deep sense of wonder and exploration of vast concepts such as time, space, and spirit. His works often reflect the intricate contours of natural objects, like a modest pebble, and are known for their painstaking attention to detail. This meticulous approach to repeated forms is a testament to his meditative process of artmaking, which serves as a personal exploration of his faith. His art is described as serious yet fresh, playful, and wonderfully unique, capturing both cosmic principles and the humble human experience." Ruth Smith, Gallery Curator and artist. UK Anthony Martin’s playful pen and ink pieces are the exploration of a personal language. They have an illustrative quality, considering issues and concepts which Anthony researches such as ancient history, scientific developments, and biblical texts. He will begin with the textual element, writing short summations of the research that will anchor the piece. The drawings begin in one corner, flowing outward as Anthony’s mind is encouraged to wonder. His ‘hybrids’ series contemplates scientific experimentation that stitches together human and animal cells. For Anthony, this research has a nefarious underbelly; combining human and animal characteristics to enhance certain abilities for military or technological uses. He questions the morality of playing God and the potential pitfalls. With his hybrids, he explores these questions and anxieties in a humorous manner. His morphing, psychedelic shapes and colours package these serious considerations in an enjoyable aesthetic manner. By Kate Reeve-Edwards, Art Writer UK

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