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Drawing, Metal on Aluminium
Size: 19 W x 13 H x 1 D in
Ships in a Tube
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Artist featured in a collection
Author: William Marquina Title: Disclaimer and Inflation Technique: pigment black, photo of magazine and foil on glazed paper Dimensions: 13 "x 19" x 0.008 "(33 cm x 48 cm x 0.02 cm) Year: 2015 Personal Web Page: / Facebook Page: Description: The vulnerability of women in his temperament is palpable in an aesthetic structure that integrates a deep sense of Transfiguration. Picasso's work addressed these transfigurations of women to paint portraits of some of his mistresses as is the case with “La Femme Qui Pleure”, 1937 in which Picasso reflects his concept of tears and suffering of Dora Maar; where your face can be seen transfigured by blight and dislocation facial. Disclaimer and inflation made a Transfiguration of the image of a woman in a magazine photo. I've rebuilt next to this a new image with the eyes and mouth dislocated, giving the feeling of anger and his face inflation and whose silhouette resembles a simple figure with a doll-animal traits. The woman's face is redialing with strokes of pencil eraser. This piece has no frame and is signed at the back.
2015
Metal on Aluminium
One-of-a-kind Artwork
19 W x 13 H x 1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Venezuela.
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William Marquina was born in Merida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in a Sunday outdoor painting workshop. After graduating in visual arts at the University of Los Andes, he studied for a master’s degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts teacher at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works. William’s production has been experimentally versatile and challenges us with series characterized by the desire to seek, study and complement the archaic and the contemporary. Among his series are: Brillo, Copia Picasso, Copia Matisse, Copia Da Vinci and Apercepciones. In the latter, he highlights in painting, the subjective complexity in the world of perceptions. He has been exhibiting his recent works in the city of Quito: “What do you see?” at the Humboldt Association (2024); a collective exhibition at the AQ Arte Feria de Quito (2024). In 2023 his retrospective “Imbrications in Painting”; in 2021 International Painting Exhibition at the Casal Català Quito and in 2019 “Exhibition of Ecuadorian Painting” at the Quito City Hall. Other important individual exhibitions but in Venezuela were: in 2012 “Cartographies of the Terrestrial and the Transterráneo”; in 2017 “Care. Path and Limit”, and in 2007 “Essences”. Awarded the First Prize for Arts for University Students, in 2001.
Artist featured by Saatchi Art in a collection
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