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BLACK LINES FREEHAND JCB 0501 Drawing

José Carlos Bassini

Brazil

Drawing, Pencil on Paper

Size: 8.3 W x 11.4 H x 0.1 D in

Ships in a Tube

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

My works are made of black lines on white paper. The paper has A4 format (210mm x 297mm) and weight of 180g/m2. Obeying this format, the paper's trademark is the one available in the square. As for ink, the material used is CD/DVD pens and markers, permanent black, felt tip, as available in the ci...

Year Created:

1985

Subject:
Medium:

Drawing, Pencil on Paper

Rarity:

One-of-a-kind Artwork

Size:

8.3 W x 11.4 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Brazil.

Customs:

Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

My name is Jose Carlos Bassini. I was born in Castelo, a city in the south of the state of Espírito Santo (Brazil). I lived my childhood at Fazenda Barra Seca, north of Espírito Santo, district of the city of São Mateus. Part of my youth was spent in Colatina and Linhares, cities in the north of the state of Espírito Santo. Linhares is the city where I have lived for over 50 years. I'm a small business owner. I am a furniture manufacturer. I am also a sheep farmer. I'm 67 years old. Over my last 40 years, I have been building my arts. My arts are black and white drawings, for this reason, I usually call my art collection “FREEHAND BLACK LINES”. My collection carries my story as a salesman of agricultural machinery, in my youth, and later, as a furniture manufacturer and sheep farmer. In moments of tension, in these areas of my work, I stop and start to dream forms that I put on paper, in this delight, my tensions calm down and put me back in the direction of work, as a manager of my industry and my other tasks. Also in my house, the behavior is the same. My studio is my office in my firm or room in my house. Even so, I have a little room for a few moments of my designer leisure

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