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Tetrada- The Four Elements of Nature Collage

Vivian Birkenfeld

Israel

Collage, Paper on Wood

Size: 39.4 W x 39.4 H x 2 D in

Ships in a Box

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Air, Fire, Water and Earth, the four Elements of Nature. Since the Middle Ages the elements were correlated to the Ages of Man, to the four seasons of the year and human personalities. In this work I made a visual representation of this theme.

Year Created:

2013

Subject:
Medium:

Collage, Paper on Wood

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 2 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Israel.

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Artist Statement: Memory, gaze and thoughts As if running out of time, I feel an urgent need to deal with buildups, accumulated within me, layer upon layer, over the years, like an archaeologist, excavating and exposing deeper levels. My art evolves in parallel courses: Dozens of documents, kept in an old suitcase, disclose my grandparents' journey from an old, menacing world towards a promise of a better life in Argentina. Out of stained photographs, unknown faces smile at me, strangely familiar. Some perished in the holocaust, others escaped and dispersed across the world. These testimonies pulled me in, and serve as raw material to a series of large drawings in which they are resurrected. Out of buildings, windows and shadows, their images rise as ghosts, present and non-present. Dealing with these histories has led me to confront my own immigration to the State of Israel. In an alleged autobiographic documentary I provoke many gaps: ideological, cultural and linguistic. Side by side with the narrative series, I find great pleasure in sketching sceneries out of photographs, which I snap across the country. A new series, verging on the abstract, describes cells and biomorphic shapes fighting each other. In my work I try to create an aesthetic experience, for myself as well as for the viewers. Thus I try to capture their attention in a web of creation, and compel them to linger a fraction of a second longer in front of it; giving creation another instance of gazing and thought.

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