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Collage, Paint on Paper
Size: 14 W x 11 H x 1 D in
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424 Views
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A mixed media meditation on the female body in society– from The Book of Hours series. In Death and The Maiden II, a banner proclaims, In 70-80% (of intimate partner homicides the woman was abused before the murder.) In 2007, intimate partners committed 14% of all US homicides, killing 1,640 women. 1256 of these women were abused before the murder, each is counted by a dot.
2013
Paint on Paper
One-of-a-kind Artwork
14 W x 11 H x 1 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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United States
Think of me as a visual Jungian. For over a decade my work has explored identity as a varied and hybrid representation, centralizing the figure as the site where myths, archetypes, and histories from different communal fonts collide. Most recently I am preoccupied with the Philosopher’s Stone archetype. Alchemists called the furnaces or ovens in which base matter was transmuted into gold the “House of the Chick” and “the womb”. This play of words intrigued me, imagining the liminal undomesticated body of the bride as a site of distortion, heat, pressure, and transformation. I began the series by distorting images of the bride using mirrors, reflections, and collaged materials. I set these experiments up in the studio and paint. Each is a liminal imago– dissolving and coming into focus all at once. Formally, I think of these as Cubism 3.0– engaging aspects of Analytical and Synthetic Cubism through a feminist lens and a nod to Pop. Injecting the patriarchal formalism of that seminal movement with mythic content. Reimagining the female form and her historic erasure as the actual source of value and meaning.
Artist featured by Saatchi Art in a collection
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