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Greece
Sculpture, Ceramic on Ceramic
Size: 7.9 W x 9.4 H x 21.3 D in
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The bugs are the most populated part of the animal kingdom, there’s more than 1 million types of bugs. Yet they’re the least commonly known as well. According to some estimates, there could be about 35 million types on the planet.This sculpture represents a type of bug that not yet has been discovered. Although it’s possible that we could find it in Edith Marion Patch”s, Gerald Durrell’s or Sir David Frederick Attenborough’s not yet published notes, but it’s uncertain. What’s certain is that you can be the first one to own one. Only one piece had been made.
Sculpture:Ceramic on Ceramic
Original:One-of-a-kind Artwork
Size:7.9 W x 9.4 H x 21.3 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Greece.
Customs:Shipments from Greece may experience delays due to country's regulations for exporting valuable artworks.
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Greece
Laszlo Nemeth is a Hungarian artist whose ceramic sculptures simultaneously unsettle, provoke, intrigue and amuse. Some present an apparent conflict of the macabre and comedic, others imply an undercurrent of political unrest. Nemeth was born in Russian-occupied Hungary in 1965, the ‘Iron Curtain’ era of austerity and little or no access to western culture. A self-proclaimed rebel, he shunned the confines of the Communist state education system, choosing to satisfy his curiosity for learning with books, especially on physics, evolution and genetics. From the latter would emerge the personal repertoire of his art motifs, shaped in part perhaps by the stark graphic styles of the Eastern Bloc. In his village, exposure to art had been minimal and art education nonexistent; in 1992, none of that was to matter. The Communist regime had collapsed and the last Russian troops were leaving Hungary. Doors to the West were open and new opportunities for self-expression available. Out of curiosity, at age 27, Nemeth enrolled in a two-year part-time ceramics course whose instructors included Zsuzsa Fuzesi, Peter Korompai and Tamas Szarka. A visit that same year to Venice’s Guggenheim proved that his imagination need have no bounds, and with a distinctive personal vocabulary waiting to be translated into art, his work was quickly embraced by an emerging Hungarian art scene. After 20 years of exhibitions, symposia and travel it became all too apparent that the international art world is an English speaking one and that growing up under the Communist regime could have kept this door closed. Today, however, Nemeth is multilingual, living and working in a more multinational community on the island of Corfu, Greece.
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