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Mixed Media, Vector on Paper
Size: 39.7 W x 39.7 H x 0.1 D in
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"Espectros II" Espectros II belongs to the Code Project. In cryptography the code hides the meaning of the messages. Codes are also understood as a set of norms or rules, conceptual constructions. In this case, since they are digital images, the code will be the binary base that allows manifestation on the various media. Allowing us various readings. Either on monitors or on photographic paper. The digital image sweeps expressed as vinario code to be traces on photographic paper. One is the image that can be seen from a distance, but when we get closer, signs, texts, and textures are revealed to the observer / interpreter, who can investigate more deeply with the magnifying glass. In the tyranny of communication, Ignacio Ramonet says, “Getting informed without effort is an illusion more in line with the advertising myth than with civic mobilization. Getting informed costs and it is at that price that the citizen acquires the right to participate intelligently in life democratic ”. The codes project stimulate inquiry. Since behind every "image" there are ideas, ways of perceiving the world. ----------------------------- Espectros II belongs to the Code Project. Digital Image, on matte photographic paper. The work was generated to be accompanied by a magnifying glass. This work arises from Walter Benjamin's concept of the aura. Around the ghost you It has written in Spanish: La violencia se expresa de diversas formas. A veces solapada.Walter Benjamin, en “la obra de arte en la época de su reproductibilidad técnica”, planteará que si bien siempre una obra de arte podía ser copiada (reproducida), con la aparición de las posibilidades de la reproducción técnica, específicamente con el ingreso de las cámaras, “ni la materia, ni el espacio ni el tiempo serán lo que fueron antes”. Expresará que la obra de arte pierde su aura, ya que el aquí y ahora que implicaba su existencia irrepetible imponiendo su historia se diluye con la posibilidad de su reproducción. Desvincula lo reproducido de la tradición, modifica la manera de percepción. Dado que puede reproducirse parcialmente o en otro contexto, lo que imposibilita el control total sobre la obra y sus significados. Siendo que el ser esta vinculado a un pasado y expresa un potencial a futuro, pero se manifiesta siempre en el presente, lo que implica una constante construcción o afirmación del ser. Nos deja vislumbrar un espacio de pugna donde estan en juego la identidad y la potestad de definir. Russell W. Belk afirmaba que los individuos no compran los productos sólo por lo que son, sino también por lo que representan. Sin embargo mas allá del intento del arte por desmaterializarse, factores vinculados a los poderes económicos siempre encuentran la forma de apresarlo y apropiarse de el, definiendole el área de acción que lo transforma. Pierre Bordieu comentara en el escrito, Libre-cambio. Una conversación con Hans Haacke, que “El liberalismo radical es evidentemente la muerte de la produccion artistica porque la censura se ejerce a través del dinero”. This work is also manifested as video animation - https://vimeo.com/137415908
Vector on Paper
5
39.7 W x 39.7 H x 0.1 D in
Not Framed
Not applicable
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Argentina.
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Argentina
Guillermo Jones, born in Buenos Aires, Argentina in 1977. Inquiring about the dilemma between being and appearance; The subtleties of the mind that result in "reality" an interpreted reality. From 2010 until now is professor in the specialization in Media and Technologies for pictorial production, Postgraduate U.N.A.
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