VIEW IN MY ROOM
France
Painting, Oil on Paper
Size: 12.8 W x 16.7 H x 1.4 D in
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Euler’s identity is an equality found in mathematics that has been compared to a Shakespearean sonnet and described as "the most beautiful equation." It is a special case of a foundational equation in complex arithmetic called Euler’s Formula, which the late great physicist Richard Feynman called in his lectures "our jewel" and "the most remarkable formula in mathematics." In an interview with the BBC, Prof David Percy of the Institute of Mathematics and its Applications said Euler's Identity was “a real classic and you can do no better than that … It is simple to look at and yet incredibly profound, it comprises the five most important mathematical constants.” Euler's Identity is written simply as: eiπ + 1 = 0 Its seems that within a chaotic disorder of space / time, there are jewels to be found. Frame format - 42.5 x 32.5 cm Paper Format 40 x 30 cm
Painting:Oil on Paper
Original:One-of-a-kind Artwork
Size:12.8 W x 16.7 H x 1.4 D in
Frame:Black
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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France
Figurative works have moved to ' Sentient Animalia' - Saatchi Page Landscape works have moved to - 'Ancient Light' - Saatchi Page From South Africa to the south of France via London, Peter Pitout has developed a style of his own. He has participated in several exhibitions in France, and art residencies in France, Germany, and Finland. Artist Statement - Often referencing physics and metaphysics, my work explores the varying relationships between philosophy, surreal concepts, and the modern digital age. Engaging subjects as diverse as particle physics, meditation and intimacy, my work reproduces familiar visuals and symbolism, arranging them into new conceptually layered images. While I use a variety of materials and processes within my body of work, I naturally return to oil paint. I enjoy studying modern concepts through this ancient lens. My series of works are linked by recurring observations of the current time and through the study of subject matter. The subject matter of each body of work determines the materials and the formats of the work. Each project often consists of multiple works, grouped around a specific theme.
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