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Mixed Media, Cyanotype on Paper
Size: 45 W x 31 H x 1 D in
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cyanotype on paper, toned and with watercolor 31” x 45” 2021 My work reflects on the natural world as allegory for the state of being, relationships and beauty. Created by time, light and water, the record making nature of cyanotype and the choice of materials such as paper, silk, linen and glass are as much a part of these works as the subject matter. Images are made with a camera and then assembled on hand coated sensitized paper or fabric, exposed to UV light and fixed in water. Color is added after drying with watercolor, pastel, gouache, spray paint, ink and acrylic. Each cyanotype is hand printed, some collaged and are all one of a kind made in my Boston studio.
Mixed Media:Cyanotype on Paper
Original:One-of-a-kind Artwork
Size:45 W x 31 H x 1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Susan Murie is an artist living and working in Boston, MA. Recent exhibitions include Cambridge Art Association - Blue; Mass Art Auction; CAA @ CANAL - Pulse of the Making; Abigail Ogilvy Gallery - I’ll See You Again Soon and Rhode Island Center for Photographic Arts: 8th International Call for Contemporary Photography. She has been interviewed and work written about in Art Scope Magazine, April 2022 online review “The Power to Elicit a Response”; Podcast Cyanutopia; Boston Magazine Boston Home Feature - Out of the Blue ; What Will You Remember Best Photo Picks and INKQ, Inky Leaves Publishing, London. COLLECTIONS/DISPLAY Raffles Hotel, Boston; Bellagio Hotel Las Vegas; Fidelity Investments; City of Somerville MA; Private Collections US and Europe Artist Statement My work is based in photography, capturing images with a camera, I assemble on hand coated cyanotype papers which is then transformed by light and water. The natural world, found objects, architectural elements, vintage toys, dinnerware and decorative objects, light and shadow are subjects that interest me and function as allegory as I consider the ephemeral nature of beauty, relationships and being and the materiality of cyanotype. I meditate on the shadows in shades of blue, pushing exposures into a serene darkness, the beauty of the blue hour. Pieces are all hand printed and often large scale, inviting an immersive experience into the rich Prussian blue color inherent in cyanotype, a blue that while feeling its vast distance, it also draws you in. My time observing the natural world, considering impermanence and making prints in my studio is my way of record keeping. The panels of plexiglass I use to to coat and wash delicate papers and to weight down exposing prints have years of scratches and stains leaving an added imprint on my work, of my time in the studio. I work on paper, silk and linen and add color and detail with paint, ink, spray paint, pencil, marker, dry pigments, cold wax and collage elements.
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