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Moldova
Drawing, Ink on Paper
Size: 31.5 W x 15.7 H x 0.1 D in
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The graphics of "Harlequins" are written on paper in a mixed technique. In the light of symbolism, the Harlequin image is twofold. On the one hand, this is a buffoon, a cheerful recklessimage, capable of laughing at himself. The image of a merry man and a dreamer, in other words, a kind-hearted man, reminding that everything in life is transitory and one should rejoice and smile at every moment of life. On the other hand, it is a smile of sarcasm, despising the vanity of the world and its strict rules. Looking down from a height at people's aspirations for success, their attempts to achieve goals.
Drawing:Ink on Paper
Original:One-of-a-kind Artwork
Size:31.5 W x 15.7 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Moldova.
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Moldova
I am an artist from Moldova, a painter, graphic artist, restorer of a work of art, as well as a stage designer of theater and cinema. My path as an artist began in my early childhood, to be honest, I didn't think about whether I wanted to become an artist or not, I just did what brought me sincere joy. Meanwhile, I grew up and along with these grew my hobbies in photography, later I became interested in theater and reading, I devoted a separate segment of my life to this. Reading helped to immerse oneself in the study and analysis of oneself and, as a result, to better understand and display the experience of the depicted. I took this habit as a basis during my studies at the Academy of Music, Theater and Fine Arts, it is here that the first images and characters appear in the roles of Harlequins, buffoons and buffoons. Naturally, the more I delved into creativity, the more I devoted myself to various experiments both in genres and in art forms, simultaneously studying the dynamics of the internal state of various feelings from both the internal and external sides. In paintings, I have always been fascinated by the facets of a person's feelings, in other words, how the real side of the image is revealed in dialogue and monologue, that without a mask, without embellishment, this is an emotionally fragile state Over the years, I have been experimenting and consistently developing my technique in graphics and painting, so that what is bursting into the light is as sincere and deep as possible.
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