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Redemption Print - Limited Edition of 10

Diego Cerezer

Brazil

Open Edition Prints Available:
Select a Material

Canvas

Canvas

Photo Paper

Fine Art Paper

Acrylic

Metal

Select a Size

14 x 21 in ($129)

14 x 21 in ($129)

16 x 24 in ($139)

20 x 30 in ($159)

24 x 36 in ($199)

30 x 45 in ($309)

Select a Canvas Wrap

White Canvas

White Canvas

Black Canvas

Add a Frame

White ($150)

White ($150)

Black ($150)

No Frame

$279

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ABOUT THE ARTWORK

- FINE ART PRINTS - Paper prints: Premium Hahnemuhle RAG 308 100% cotton paper - Printed: HP Z9 + DreamColor mineral pigment. - Canvas (direct contact via email): Canson Museum Pro Canvas 385 g/m2 100% cotton - Printed: HP Z9 + DreamColor mineral pigment. - Made in Brazil The Baroque manifestations have as a historical context the occurrence of the Reformation and the Counter-Reformation, which agitated, above all, Europe from the 16th century onwards. Dissatisfied with the supreme powers of the Catholic Church, Martin Luther, an Augustinian monk, in 1517, elaborated his 95 theses, questioning the dogmas of the Catholic Church and founding a new form of Christianity, based on faith and knowledge of biblical texts.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

14 W x 21 H x 1.25 D in

Size with Frame:

15.75 W x 22.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Photography and conceptual art form a complex pair. If some photographers claim that photography played a mere documentary role, others, on the contrary, point to the use of specific resources, by some artists, which allow the technical image, its visual possibilities and its social meanings to be problematized. I believe that the characterization of photography used by us conceptual artists is, however, accompanied by other considerations that allow us to problematize a relationship that is apparently easy to determine. Thanks to a set of factors, including lightness and fragile material consistency, the decline of the object in favor of attitudes and processes. Faced with the challenge of using matter “in a paradoxical way”, of inventing an art based on the greatest possible economy of means, the conceptual artist uses technical image in accordance with Sol LeWitt's proposition that it is possible to present ideas “through of numbers, photographs or words, or any way the artist chooses, since the form is not important. For me, a photograph needs to have a soul, a voice and overflow with feeling. This is the basis of my photography.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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