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12 x 9 in ($40)
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White ($80)
Reminisce About Halcyon Times 48in x 36in Acrylic on Canvas Have you ever remembered days of yore through the looking glass? You know, nostalgia of the good old days boosted by the promise of today and the hope of an exciting future? OR None of the above? Move on if you are looking for cliches. My art is for an iconoclast. For those who can take the terrible old days, nothingness of the present and even a seemingly bleak future to bend destiny to your will, in your favour. That's what this is about. The painting has an exhibition history in Delhi, Calcutta, Bombay, Dharamshala.
Print:Giclee on Fine Art Paper
Size:12 W x 9 H x 0.1 D in
Size with Frame:17.25 W x 14.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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Priyadarshini Ohol came to the arts after a ski accident equipped with a degree in Mechanical Engineering and experience in business and high impact socio-political activism. Post recuperation, Ohol spent years in her Himalayan studio in Dharamshala, establishing an influential, independent, avant garde practice which finds expression in painting, performance, video, performative painting, butoh, poetry, articles, interdisciplinary immersive installations, experimental and collaborative works. This examination and transformation of misery, fate, human experience into thriving life rooted in radical self care, scientific inquiry, authenticity, freedom, play is at the core of her art practice. Ohol’s sensitive multilayered performances play with perceptions, challenge norms and change art landscapes. Derivatives of her work appear, the subjects she examines and the language find their way into variegated vocabularies. Yet, her abstract expressionist canvases clearly indicate her irreverence for categories betraying a fierce need for artistic freedom. She says her work includes stream of consciousness art, yet given it’s reflexive dynamism, it is best described by the term agile art. Ohol’s is a complex social practice examining the self in relation to the world, equality, exclusion, inclusion, identity, belonging, dehumanization, discrimination, casteism, freedom, sexuality, gender, feminism, possession, dispossession, ethics, classism, displacement, fraternity, regional and global politics, the politics of locations of the body, the meaning of art, possibilities of artistic cultural impact and artivism in an increasingly changing, conflict ridden, technologically driven, globalized, fragmented world.
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