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Fine Art Paper
12 x 6 in ($100)
White ($80)
1328 Views
4
Artist featured in a collection
This is a work composed of four metal butterflies assembled on the holder, printed map of the island of Haiti and Dominica, magenta-colored oil, industrial painting and traces of wear on grinding tools aluminium metal. "Mackandal's Progressive metamorphosis" is the synthesis of the 'wonderful reality' theme of the Cuban writer Alejo Carpentier in his novel the Kingdom of this world. A magical world of need to live within the wonders of magic realism in America, or as the author describes it: "The real wonderful is that, that unexpected alteration of reality, a privileged revelation, an unusual lighting, a creative faith of what we need to live in freedom; a search, a task of other dimensions of reality, dream and execution, occurrence and presence." This work describes the moment in which the legendary character of Carpentier, fruitful, is transformed into Butterfly at the very moment of its execution when it was drowned by the flames; inspiring element that marks the content of all revolutionary action throughout all the stories of independence in Latin America, and whose character is its permanent alterity fleeting, isolated and sensitive. Original ready to hang. Frame is not required.
2014
Giclee on Fine Art Paper
12 W x 6 H x 0.1 D in
17.25 W x 11.25 H x 1.2 D in
White
Yes
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William Marquina was born in Merida, Venezuela. Attracted by the works of great masters such as Picasso and Leonardo, at the age of 11 he participated in a Sunday outdoor painting workshop. After graduating in visual arts at the University of Los Andes, he studied for a master’s degree in philosophy, followed by an unfinished doctorate, and was a short-term visual arts teacher at the same university. From now on, William will pursue his passion for art by experimenting with different themes, techniques, styles and media. Disappointed by the unstable situation in his country, he emigrated to the city of Quito in 2019 where he currently lives and produces his works. William’s production has been experimentally versatile and challenges us with series characterized by the desire to seek, study and complement the archaic and the contemporary. Among his series are: Brillo, Copia Picasso, Copia Matisse, Copia Da Vinci and Apercepciones. In the latter, he highlights in painting, the subjective complexity in the world of perceptions. He has been exhibiting his recent works in the city of Quito: “What do you see?” at the Humboldt Association (2024); a collective exhibition at the AQ Arte Feria de Quito (2024). In 2023 his retrospective “Imbrications in Painting”; in 2021 International Painting Exhibition at the Casal Català Quito and in 2019 “Exhibition of Ecuadorian Painting” at the Quito City Hall. Other important individual exhibitions but in Venezuela were: in 2012 “Cartographies of the Terrestrial and the Transterráneo”; in 2017 “Care. Path and Limit”, and in 2007 “Essences”. Awarded the First Prize for Arts for University Students, in 2001.
Artist featured by Saatchi Art in a collection
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