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VIEW IN MY ROOM

Japa mala Print

Oksana Kolosyuk

Italy

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About The Artwork

?? "PRAYER" Series japa-mala Have you ever wondered what darkness is? Darkness is the absence of everything: light and color. But darkness also contains objects, smells and sounds. There are also memories. Here is the second painting in the "PRAYER" series. We see it as a monk's hand Buddhist holds in prayer Japa-mala or an ancient Tibetan rosary of 108 beads. See how each wrinkle is drawn, each vein in the arm. Each bead of Japa-mala is reflected in a faint light. And the metal clip shines so very natural. Looking at this image, we want to think about the eternal: about God and the universe. And that there they are Holy people on earth who are able to heal only with prayers. This piece will not only decorate your room, it will also protect you from everything that is unwanted. Canvas, oil. 60x60 2020 There are fixing hooks. Continuation of the image on the edges. The front and the back are signed by the author. In stock there is a certificate of authenticity of the painting. In 2021 the PRAYER series of 5 canvases was exhibited at the "San Marco" bar in Puos d "Alpago.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

BIO. Oksana Kolosyuk, Italian hyperrealism artist, was born in Ukraine and has been living and working in Alpago, Italy for 20 years. Oksana came across hyperrealism quite by accident, and it aroused her surprise and admiration at the same time. Since 2016, she has been painting professionally. ARTIST'S STATMENT Who am I? Am I light? Am I color? Am I a soul? I am everything! Since 2016, I have been painting amazing modern interior canvases with oil paints, with the help of banal brushes. My paintings are extremely realistic and captivate viewers with rich colors, depth and clarity of detail. I am attracted by the microcosm of details. With their help, I explore the depths of the macrocosm. The subtlest variations of light and dark strokes take me to the depths of the macrocosm, where I see the small in the big, and the microscopic in the small. I love to give tactile sensations to the viewer and, together with him, plunge into a stunning trance of contemplation with the soul.

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