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Printmaking, Screenprinting on Paper
Size: 30 W x 22 H x 0.1 D in
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An original handmade screenprint with pencil. . edition of 30 . sold unframed On finest quality Fabriano 100% cotton paper (285gsm) with a deckled edge. Signed, numbered, titled and dated in pencil at the bottom Title: 'Meal Hill' Paper size: 76 x 56cm Image size: 50 x 37cm This latest print has nine layers of ink and six separate sections of hand coloured pencil work. It will be exhibited very shortly at The Zillah Bell Gallery in Thisk as part of my solo exhibition 'Piecing The Landscape' All my prints are created entirely by hand, from the initial drawings, mixing of the inks, to the actual pulling of the ink across the silk screen onto finest quality paper. Every colour and stencil is applied separately making a truely handmade piece of work. I like to work around repetition, forming patterns, and also using some hand drawn textures to add interest. This print forms part of my recent landscape work and taken from the patchwork of fields surrounding my home and studio. All of my prints are original artworks in their own right and over time should increase in value. This is different to 'Limited edition giclee' prints which are reproductions (inkjet prints from a computer) and not originals. To find out more and view other work visit . http://www.emmalawrenson.com/
2016
Screenprinting on Paper
One-of-a-kind Artwork
30 W x 22 H x 0.1 D in
Not Framed
Not applicable
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United Kingdom
Emma Lawrenson ARE (British printmaker.) 1973 My passion for printmaking began in 1991.Several years later I was lucky enough to study for an M.A at the Royal College of Art, which was an experience that has shaped my life ever since. I work from my Yorkshire countryside studio, where I endeavour to create thoughtful and harmonious pieces (some geometrical, others more fluid, tactile and organic) with a carefully considered approach to form and space. I approach printmaking as a recording process of ideas, feelings and moments in time; where inspiration is gathered from the changing seasons and fabric of the landscape. I try to preserve these moments and memories through layering and hand-drawn marks, with interactions of subtle colour. I see colour as the poetic language that binds it all together and I work with it intuitively to create ‘quiet’ prints with a feeling of calm. I begin each print by hand-drawing every stencil. The drawings themselves are relatively simple in structure and execution. However it is the whole process of building up the prints, little by little, layer by layer that fascinates me. The formal qualities of printmaking and engagement with the process is what holds the beauty and soul of a finished piece. Some prints are worked into afterwards with pencils or conté crayons. I enjoy making smaller prints that act as a visual diary or ‘sketchbook’ of ideas on old pages, printed spontaneously alongside making works on paper. This process attempts to invite unknowns. It’s more organic, and ‘records’ a specific time where the work is made by chance. These pieces feed back into my work and are a secondary source of inspiration. -------------------------------------------------------------------------------------------------------------- My work has appeared in many magazines including ‘Vogue’, ‘House and Gardens’, ‘Art Review’, ‘Country Living’, ’25 Beautiful Homes’ amongst others. I have had work on film and television sets in America with Universal Studios.
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