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Etching of the Superb Lyrebird which is endemic to the south-east of Australia.  They are great mimics, and are one of the largest songbirds in the world. They are names for their tail which is shaped like a lyre. 

The work was inspired after seeing the birds in the Blue Mountains near Sydney. 

Etching was augmented using sugar-lift technique which adds tonal range to the work. Etching was done on an aluminium plate. Hand inked with Charbonnel black ink. Print editions were produced in black and white, and sepia. This is the third edition from the black & white press.
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Lyrebird - Limited Edition 3 of 20 Print

Lydie Paton

Australia

Printmaking, Etching on Paper

Size: 22.5 W x 30 H x 0.1 D in

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$805

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About The Artwork

Etching of the Superb Lyrebird which is endemic to the south-east of Australia. They are great mimics, and are one of the largest songbirds in the world. They are names for their tail which is shaped like a lyre. The work was inspired after seeing the birds in the Blue Mountains near Sydney. Etching was augmented using sugar-lift technique which adds tonal range to the work. Etching was done on an aluminium plate. Hand inked with Charbonnel black ink. Print editions were produced in black and white, and sepia. This is the third edition from the black & white press.

Details & Dimensions

Printmaking:Etching on Paper

Artist Produced Limited Edition of:1

Size:22.5 W x 30 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Lydia Paton is an Adelaide born architect, designer and artist. Her landscape designs have featured on the ABC's Gardening Australia tv series and her residential gardens have won several LASA (Landscape Association of South Australia) awards for excellence in design. She has lectured in landscape design and architecture at the University of Adelaide. In 2013, she stepped back from landscape architecture, and returned to university to study fine arts . The exposure to varied mediums has lead to more experimentation with materials and art making techniques. Since her teenage years she has worked with oils on large canvases but the exposure to new materials at art school has brought a diversity to her art making techniques. In 2015, Lydia spent two years in Toronto studying printmaking and etching under the tutelage of Brian Hoxha. Since then she has been producing aluminium plate etchings. Colour is also added to some of these prints through techniques using watercolour washes and chine-collé. She has brought a large number of works back to Australia and is now profiling them on Saatchi.

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