VIEW IN MY ROOM
United Kingdom
Printmaking, Pigment print on Paper
Size: 40.2 W x 30.7 H x 0.1 D in
Ships in a Tube
Shipping included
Artist Recognition
Showed at the The Other Art Fair
Artist featured in a collection
Drawing Flow was a breakthrough moment for me. It was the first piece that spoke directly to the idea of drawing glass, using translucent glazes, and layers of transparencies, that in some way capture the excitement of seeing a great piece of studio glass, or stained glass, in an environment where light plays across and through the surfaces. The idea of trying to catch some of that light and drama in a piece for the wall has been something I’ve been trying to achieve ever since. Flow takes the smallest of glass objects, a child’s marble, and blows it up, with repetition, to make a kind of glazed Op piece that I hope captures a singular lyrical movement as it rises from left to right across the image, twisting and deforming as it does so. Initially I made the silver base and deep base versions, swiftly followed by the triptych, silvered and black variants. It’s become a series that I keep returning to, almost like the shuffle play on an iPod that comes back to the original artist choice every fifth play. .. A fair while after I made the original Flow series, I started looking at the idea of creating a new more saturated variation, with a fairly solid colour base, and after some considerable exploration, came up with this turquoise and copper palette. As is often the way with much of the work, I then put it to one side and ignored it for several years. In the summer of 2018 however, a good friend of the family turned 18, and so I offered him a print for his birthday, and after much deliberation, we decided to try out this study as a pigment print. To my eye the gouache like quality of the pigments make the colours really sing, so I then editioned the study to sit alongside the earlier silvered and black C type works. I hope it makes for a good addition to the series.
Printmaking:Pigment print on Paper
Artist Produced Limited Edition of:24
Size:40.2 W x 30.7 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Chuck Elliott (b. 1967, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers, with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art print making for the digital age. Pure logical progression.
Handpicked to show at The Other Art Fair presented by Saatchi Art in London
Artist featured by Saatchi Art in a collection
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