VIEW IN MY ROOM
United States
Photography, Photogram on Paper
Size: 24 W x 24 H x 0.1 D in
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This is wild mugwort (artemisia) or chrysanthemum weed which grows all over the woods where I live. it is a fragrant herb that smells similar to sage. These are mirror images of each other made using the same branch laid flipped over. Though these look like screen prints or block prints, they are cyanotypes, a 19th century alternative photogoraphic process which uses different chemicals from black and white photography. They are one-off, monotypes, cameraless photographs, sunprints, blue prints or photograms. The usual color of a cyanotype is dark blue and stark white, but I added another exposure to light to give the leaves a pale blue shade. The leaves of the left print are slightly darker pale blue than the leaves of the right print. I exposed one a few seconds longer than the other. So they are symmetrical but not entirely identical. Every one of my botanical cyanotypes is an entirely unique monotype as the plants are laid by hand in that one exact composition only once. There is no camera, no copper plate, no ink or printing press.
Multi-paneled Photography:Photogram on Paper
Original:One-of-a-kind Artwork
Size:24 W x 24 H x 0.1 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital. For a complete list of my corporate clients, visit the "About" page of my website www.christineso.gallery/ To see videos of my artistic process, visit me on instagram at @christinesogallery I live in the woods in northern California looking out across the San Francisco Bay towards the hills of Marin, San Francisco and Angel Island. The distant blue hills of my “Faraway Hills” series are ever-present fixtures in my real life. Down below is the bay and above is an endless web of tree branches. Their silhouettes have etched themselves into my memory. My paintings and prints are always nature-inspired and nearly always monochromatic. Having spent a decade as a printmaker making woodcuts, linocuts, etchings, aquatints and monotypes, my mind works in monochrome. I focus on a single color, composition, positive and negative space, pattern, lines and shape. I currently work in two mediums, acrylic painting and cyanotypes, a form of camera-less photography. Cyanotypes are a 19th century form of lensless photography also known as photograms, blueprints and sun prints. They resemble block prints or etchings but use no ink nor printing press. Light “etches” the image on paper I had painted with light-sensitive chemicals. MY NEWEST SERIES OF ABSTRACT CYANOTYPES: My technique is a form of experimental photography, much like the action painters Morris Louis, who poured his veil paintings, or Jackson Pollock who dripped and drizzled his. My abstract cyanotypes are luminous like watercolor paintings but are actually photographs. Each is a multiple-exposure lensless photograph make through deliberate movements of the light-sensitive paper during exposure to light. Different sections of the paper were exposed to light for a longer or shorter time, yielding multiple shades of blue. Each abstract cyanotype is entirely unique. These same lines, shapes and shades of blue cannot be recreated as the exposure of the paper was heavily manipulated by me during each printing. A traditional single-exposure cyanotype yields a white silhouette against a dark blue background.
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