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Painting, Oil on Canvas
Size: 39.4 W x 27.6 H x 0.4 D in
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Slava Ukraini – 18-04-22 Freedom above All The West has recently become familiar with the phrase ‘Slava Ukraini’. Obviously everyone who is a democrat and values freedom above all can support the meaning of this slogan. It seems as if the world has split into the good and the bad all of a sudden. The free world is pro and some rascalious countries keep supporting Russia’s goals. Strange how Europe and NATO can feel united more than ever whereas recently disunity was rife. Strong Ukrainian Women Vesna – 14-03-22 was my last oil with the Ukrainian theme. Somehow I felt the story for me to tell wasn’t finished yet. My reference graphite pencil drawing ‘Hold Your Horses – 04-01-22’ had the Scythians as theme. Strange why I chose to do an oil ‘Una in Aliam – 01-09-19’ covering the same topic three years back. In particular it tells of the legend of the Amazons. Legend has it they were Scythian warrior women on horseback. No great mind is needed to associate them with modern strong Ukrainian women rising up against the Russian agressor. And so I read the story of a woman from Kiev who bought a sniper rifle just to be able to defend her city and country. This painting is to honor those women and of course all freedom fighters in the Ukraine in general. New World Order There also was another reason to do another Ukrainian painting, to me an urgent one. Instead of fearfully waiting for whatever new world order will arise I decided to create one myself. This painting all makes sense to me. Ukrainian’s struggle is not theirs but ours too. A couple of days ago I commented on a post by Jerry Saltz. I stated law school was the best preparation for my work as an artist. Now I know why. Becoming a master in international law makes me mastering my artistic diction as well. I cannot ever be a soldier but I hold sound weapons in my hands: pencil and brush!
Oil on Canvas
One-of-a-kind Artwork
39.4 W x 27.6 H x 0.4 D in
Not Framed
No
Ships in a Box
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Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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