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From the WW1 series for the exhibition "Repeat After Me" this work is about the influence of the first world war on the next 100 or so years with a look at the flowering that occurred because of the huge surge in technological advances here symbolised by the tank and its crucial role in the conflict. My interest is more how that revolution in technologies from a conflict so terrible flowered in the next 100 years to change our lives for the good
From the WW1 series for the exhibition "Repeat After Me" this work is about the influence of the first world war on the next 100 or so years with a look at the flowering that occurred because of the huge surge in technological advances here symbolised by the tank and its crucial role in the conflict. My interest is more how that revolution in technologies from a conflict so terrible flowered in the next 100 years to change our lives for the good
From the WW1 series for the exhibition "Repeat After Me" this work is about the influence of the first world war on the next 100 or so years with a look at the flowering that occurred because of the huge surge in technological advances here symbolised by the tank and its crucial role in the conflict. My interest is more how that revolution in technologies from a conflict so terrible flowered in the next 100 years to change our lives for the good

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Plusses and Minuses Painting

Rachel Williams

United Kingdom

Painting, Acrylic on Paper

Size: 27.6 W x 19.7 H x 0.1 D in

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ABOUT THE ARTWORK

From the WW1 series for the exhibition "Repeat After Me" this work is about the influence of the first world war on the next 100 or so years with a look at the flowering that occurred because of the huge surge in technological advances here symbolised by the tank and its crucial role in the conflict. My interest is more how that revolution in technologies from a conflict so terrible flowered in the next 100 years to change our lives for the good

DETAILS AND DIMENSIONS
Painting:

Acrylic on Paper

Original:

One-of-a-kind Artwork

Size:

27.6 W x 19.7 H x 0.1 D in

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I make bold, quirky and apparently playful works often carry a brooding gritty undertone. By employing an agglomeration of printmaking, painting, collage, stitching onto a variety of surfaces my work is a lively regurgitation of current obsessions. My most recent output follows on from works concerning the vulnerability of existence in the natural world to the “Museumification” of artefacts, relics and taxidermy where the loss of original context renders the pieces nebulous and solitary. I am heavily influenced by iconography and the primitive depiction of the cave paintings of Lascaux and Australia For me making work is all about fear. It’s fear that draws me back to printing as a way of making marks and never more so than when I’m making mono prints. The sensation as I draw back the paper/cloth or whatever is thrilling and in that moment it is almost as if the work is made by someone else and I can see it clearly and where I am to go with it. It has pervaded all my work this “transference” from one surface to another.

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