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Le Palmier.
Le Palmier close-up.  Joanne Mumford
Le Palmier close-up. Joanne Mumford
Le Palmier close-up. Joanne Mumford
Le Palmier.

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Le Palmier Painting

Joanne Mumford

France

Painting, Oil on Canvas

Size: 14 W x 17.9 H x 0.8 D in

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$1,145

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ABOUT THE ARTWORK

Created 2017. The difference.....Le Palmier. A palm tree with sunlight through the tree leaves. An experience of difference. Daringly, bold painted negative spaces with darkness and colour relaying a 'chosen main.' A painting of dark black in colour boldly contrasted with small collective patches of shocks of bright colours. With both a smooth and raw use of paint, the depiction concentrates on the afternoon sunlight permeating through the silhouetted palm leaves. From a collection of small oil on canvas paintings of my studies of nature, highlighting the intricacies, differences and validity. Jardin Biovès, Menton, French Riviera. This painting can be hung on a wall by using a fixture on the wooden supports, without the need for a frame.

DETAILS AND DIMENSIONS
Painting:

Oil on Canvas

Original:

One-of-a-kind Artwork

Size:

14 W x 17.9 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

British artist based in France. I’m an oil painter artist that reflectively analyses and displays natural elements, highlighting the observed extents, differences and less distinguishable. My paintings are images of natural components, with considerations of the unseen, the innate and the acquired. Certain qualities attract me to paint an image and this combined with my sensibilities and my own preference to withdraw from some of the customary, initiates my art. I produce both large canvases and comparatively smaller ones, depending on what the image necessitates. I paint and simultaneously evaluate an image, analysing and displaying reactions and consequences, which often result in visually concentrated representations, in either a raw or a more refined manner. Reflecting on my art as it has evolved, I recognise some inextricably linked underlying themes. Studying prime and definitive states, experiencing exclusion and reward, musing on the emotional and spiritual and an exploration into the unable to grasp and wordless, often became inadvertently cross-referenced. My art is a culmination of considerations, sensitivities and chain of scenarios and I hope my images capture and convey an air of relative sensation that has become an important experience for me. A number of my paintings have been sold to private collectors internationally and having lived in London for many years I now live in France.

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