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Painting, Oil on Canvas
Size: 40 W x 30 H x 1.5 D in
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632 Views
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"Indian Country (Rio Grande)" is the third in a series of my paintings that consider the complicated history of the American West through the interactions of place, technology, and humanity. Like my earlier paintings "Cadillac Desert" and "Rio Grande", "Indian Country (Rio Grande)" is set in a desert locale situated along the Utah/ Arizona border. These paintings seem to depict a timeless space close to the Bears Ears National Monument, home to more than 100,000 Native American archaeological and cultural sites, considered sacred by many tribes.The Bears Ears Coalition website explains that,"The Navajo Nation and the White Mesa Ute Reservation border Bears Ears on the south and east, respectively. Navajo and Ute people frequent the land to collect herbs and medicine, forage for food (such as piñon nuts), gather firewood for heating and ceremonial use, and to hunt game." Indian Country is a term used by Native American folks to refer to the amorphously bordered country within a country in which the Indian population lives. In my painting "Indian Country (Rio Grande)", a woman and her dog watch as a train moves past. Timelessness meets time. Currently on exhibit at the University of Michigan, Ann Arbor, Michigan from December 17, 2018 - March 8, 2019
2018
Oil on Canvas
One-of-a-kind Artwork
40 W x 30 H x 1.5 D in
Not Framed
Not applicable
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GREGG CHADWICK creates his artwork in an old airplane hangar in Santa Monica, California. The recurring sound of airplane take-offs and landings from the active airport runway outside his studio reminds him of his own history of travel. Chadwick has exhibited his artworks in galleries and museums both nationally and internationally. He earned a Bachelor's Degree at UCLA and a Master’s Degree at NYU, both in Fine Art. Chadwick has had notable solo exhibitions at the Manifesta Maastricht Gallery (Maastricht, The Netherlands), Space AD 2000 (Tokyo, Japan), the Lisa Coscino Gallery (Pacific Grove, CA), the Julie Nester Gallery (Park City, Utah), the Sandra Lee Gallery (San Francisco), and Audis Husar Fine Arts (Los Angeles) among others. Chadwick has participated in over one hundred group exhibitions including the L Ross Gallery (Memphis, Tenn), the Andrea Schwartz Gallery (San Francisco), the LOOK Gallery (Los Angeles), the Arena 1 Gallery (Santa Monica), the di Rosa Preserve Gallery (Napa) and the Arts Club of Washington (Washington DC). Chadwick’s art is notably included in the collections of the Adobe Corporation, the Gilpin Museum, the Graciela Hotel – Burbank, the Harbor Court Hotel - San Francisco; the Kimpton Group’s headquarters in San Francisco, the National Museum of the Marine Corps, Nordstrom Company Headquarters, the UCLA School of Nursing, the W Hotel Hollywood, and Winona State University. Chadwick is frequently invited to lecture on the arts. He has spoken at UCLA, Monterey Peninsula College, the Esalen Institute, TRAC 2015, the World Views forum in Amsterdam - The Netherlands, and at Categorically Not - a monthly forum that considers the arts and science. Twice a year he delivers a lecture on art and social justice at UCLA in an interdisciplinary form with the UCLA School of Nursing. Chadwick was a working artist in residence at the Center Theatre Group in Los Angeles leading students at Culver City High School in an exploration of Dael Orlandersmith’s “Until the Flood.” Chadwick is the proud father of his transgender daughter Cassiel Chadwick.. Chadwick’s blog, Speed of Life, explores the intersections between the arts and society and was honored by Carnegie Hall as one of the Top 16 Art Blogs in the country: Speed of Life. Chadwick’s flickr page which is often updated with new finished paintings and work in progress is at: http://www.flickr.
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Artist featured by Saatchi Art in a collection
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