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Painting, Acrylic on Wood
Size: 22.8 W x 40.2 H x 2.2 D in
Ships in a Crate
602 Views
47
Featured in the Catalog
Featured in Inside The Studio
Artist featured in a collection
CURATED COLLECTIONS Featured in the Collection "FLOW STATE" curated by Saatchi Art Senior Curator MEGAN WRIGHT WINDOWS ON WHITE Windows on White is a series of ten repainted cardboard-collages that dates from 2001. Three of the works were sold out of hand. The others were heavily damaged at a transport home from an exhibition two years later. Until this autumn I simply did not find the time to do the necessary restorations - but here they are back to life at last!
2018
Acrylic on Wood
One-of-a-kind Artwork
22.8 W x 40.2 H x 2.2 D in
White
Yes
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Switzerland.
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Switzerland
Juliet Vles is an European multidisciplinary artist, born in 1950 in the Netherlands, of Swiss-French nationality and actually living and working in Switzerland. Essentially an abstract painter and sculptor, whose work is mainly to be found in arte povera and minimal art collections, her artistic interests also include installation work, drawing and digital painting. The works of the Krypta series, half-painting half-sculpture, are geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that does not seek to depict reality, nor even its abstraction, but the imago of an unconscious area of the mind not immediately accessible to analytical intelligence. Formally, the hallmark of Vles’ artwork is the unusual combination of its sober, geometrical underlying structure and the multilayered, rough texture of the painted surface. Although often shown in exhibitions featuring Concret Art, her work owes more to the Support/Surface movement than to formal Constructivism. In her recent work, the artist increasingly abandons the notion of "making images" and rather sees her wall sculptures as an extension of architecture - expanding the supporting wall by an additional physical and esthetical dimension. In 2017, the artist started working on a series of reverse glass paintings, revisiting the glass sculptures and installations she created between 1997 and 2003 and drawing on the technical experience she acquired during that period. For the GLASSWORKS please see https://goo.gl/photos/t2kdxM7C4ZjQBy8eA
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Featured in Saatchi Art's curated series, Inside The Studio
Artist featured by Saatchi Art in a collection
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