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The Painting presented here is about the life at a bus stop in Qingdao, my beautiful place at the Chinese Sea. I spent an afternoon there indulging my wait letting the buses go. 

There is a sort of permanence in the ritual of waiting, entering, departing justifying the way I paint.

In company with the boys watching, the wise, over-patient sutlers, and the never-changing crowd of those waiting the artist comes to terms with himself.

The painting has a very special support, for it's is carried out on an old sandwich door, thoroughly prepared for painting by my favorite joiner. You see it's history on it's reverse side.
The Painting presented here is about the life at a bus stop in Qingdao, my beautiful place at the Chinese Sea. I spent an afternoon there indulging my wait letting the buses go. 

There is a sort of permanence in the ritual of waiting, entering, departing justifying the way I paint.

In company with the boys watching, the wise, over-patient sutlers, and the never-changing crowd of those waiting the artist comes to terms with himself.

The painting has a very special support, for it's is carried out on an old sandwich door, thoroughly prepared for painting by my favorite joiner. You see it's history on it's reverse side.
The Painting presented here is about the life at a bus stop in Qingdao, my beautiful place at the Chinese Sea. I spent an afternoon there indulging my wait letting the buses go. 

There is a sort of permanence in the ritual of waiting, entering, departing justifying the way I paint.

In company with the boys watching, the wise, over-patient sutlers, and the never-changing crowd of those waiting the artist comes to terms with himself.

The painting has a very special support, for it's is carried out on an old sandwich door, thoroughly prepared for painting by my favorite joiner. You see it's history on it's reverse side.
The Painting presented here is about the life at a bus stop in Qingdao, my beautiful place at the Chinese Sea. I spent an afternoon there indulging my wait letting the buses go. 

There is a sort of permanence in the ritual of waiting, entering, departing justifying the way I paint.

In company with the boys watching, the wise, over-patient sutlers, and the never-changing crowd of those waiting the artist comes to terms with himself.

The painting has a very special support, for it's is carried out on an old sandwich door, thoroughly prepared for painting by my favorite joiner. You see it's history on it's reverse side.
The Painting presented here is about the life at a bus stop in Qingdao, my beautiful place at the Chinese Sea. I spent an afternoon there indulging my wait letting the buses go. 

There is a sort of permanence in the ritual of waiting, entering, departing justifying the way I paint.

In company with the boys watching, the wise, over-patient sutlers, and the never-changing crowd of those waiting the artist comes to terms with himself.

The painting has a very special support, for it's is carried out on an old sandwich door, thoroughly prepared for painting by my favorite joiner. You see it's history on it's reverse side.

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View In My Room

Ephemeral Waiting Never Ending Painting

Christian Kabuß

Germany

Painting, Oil on Wood

Size: 60.2 W x 27.6 H x 1.4 D in

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1046 Views

81

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ABOUT THE ARTWORK

The Painting presented here is about the life at a bus stop in Qingdao, my beautiful place at the Chinese Sea. I spent an afternoon there indulging my wait letting the buses go. There is a sort of permanence in the ritual of waiting, entering, departing justifying the way I paint. In company with the boys watching, the wise, over-patient sutlers, and the never-changing crowd of those waiting the artist comes to terms with himself. The painting has a very special support, for it's is carried out on an old sandwich door, thoroughly prepared for painting by my favorite joiner. You see it's history on it's reverse side.

DETAILS AND DIMENSIONS
Painting:

Oil on Wood

Original:

One-of-a-kind Artwork

Size:

60.2 W x 27.6 H x 1.4 D in

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Christian Kabuß is an internationally established German artist and musician. He studied Medicine at the University of Rostock, then went on to Kunsthochschule Berlin-Weißensee, Accademia di Belle Arti di Venezia and Moholy-Nagy University of Arts and Design Budapest to practice Fine Art. The artistic language within his paintings is deeply linked to a phenomenological approach to bodiliness, the freedom of subconscious artistic creation, and the theoretical and practical considerations of Design. Kabuß has exhibited in Germany and abroad. His works are present in regional, national and international collections. It is his aim to work as honest as possible, and he tends towards imagery, which is embedded in Lebenswelt, and sound. As a pianist, he performs small intimate concerts. His music is soft, sometimes freely improvised and portrays a sense of a parallel-world. Exhibitions in Italy, Sweden, Germany, China, and Japan.

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