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'Distance' is a work inspired by a line of hills in the English countryside, shown as a far off thin blue line, perhaps in the morning light.

The work is made in hand-dyed sycamore veneer and fumed English oak veneer which has been laid onto a 'free-veneered' base that creates undulations or contours on the surface of the work. The work is framed in a dark stained oak wooden frame and hung from a cord to the back.

The image was created by hand dying small pieces of sycamore wood veneer and fumed oak veneer and carefully joining them together to form vertical lines of colour. These lines were then joined together to form the overall image, the deep brown of the fumed oak with the subtle blues of the hand-dyed sycamore. The whole picture is laid over the undulating base which gives the finished piece a three-dimensional quality and greater depth.
'Distance' is a work inspired by a line of hills in the English countryside, shown as a far off thin blue line, perhaps in the morning light.

The work is made in hand-dyed sycamore veneer and fumed English oak veneer which has been laid onto a 'free-veneered' base that creates undulations or contours on the surface of the work. The work is framed in a dark stained oak wooden frame and hung from a cord to the back.

The image was created by hand dying small pieces of sycamore wood veneer and fumed oak veneer and carefully joining them together to form vertical lines of colour. These lines were then joined together to form the overall image, the deep brown of the fumed oak with the subtle blues of the hand-dyed sycamore. The whole picture is laid over the undulating base which gives the finished piece a three-dimensional quality and greater depth.
'Distance' is a work inspired by a line of hills in the English countryside, shown as a far off thin blue line, perhaps in the morning light.

The work is made in hand-dyed sycamore veneer and fumed English oak veneer which has been laid onto a 'free-veneered' base that creates undulations or contours on the surface of the work. The work is framed in a dark stained oak wooden frame and hung from a cord to the back.

The image was created by hand dying small pieces of sycamore wood veneer and fumed oak veneer and carefully joining them together to form vertical lines of colour. These lines were then joined together to form the overall image, the deep brown of the fumed oak with the subtle blues of the hand-dyed sycamore. The whole picture is laid over the undulating base which gives the finished piece a three-dimensional quality and greater depth.
'Distance' is a work inspired by a line of hills in the English countryside, shown as a far off thin blue line, perhaps in the morning light.

The work is made in hand-dyed sycamore veneer and fumed English oak veneer which has been laid onto a 'free-veneered' base that creates undulations or contours on the surface of the work. The work is framed in a dark stained oak wooden frame and hung from a cord to the back.

The image was created by hand dying small pieces of sycamore wood veneer and fumed oak veneer and carefully joining them together to form vertical lines of colour. These lines were then joined together to form the overall image, the deep brown of the fumed oak with the subtle blues of the hand-dyed sycamore. The whole picture is laid over the undulating base which gives the finished piece a three-dimensional quality and greater depth.
'Distance' is a work inspired by a line of hills in the English countryside, shown as a far off thin blue line, perhaps in the morning light.

The work is made in hand-dyed sycamore veneer and fumed English oak veneer which has been laid onto a 'free-veneered' base that creates undulations or contours on the surface of the work. The work is framed in a dark stained oak wooden frame and hung from a cord to the back.

The image was created by hand dying small pieces of sycamore wood veneer and fumed oak veneer and carefully joining them together to form vertical lines of colour. These lines were then joined together to form the overall image, the deep brown of the fumed oak with the subtle blues of the hand-dyed sycamore. The whole picture is laid over the undulating base which gives the finished piece a three-dimensional quality and greater depth.
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Distance Painting

Kevin Stamper

United Kingdom

Painting, Wood on Wood

Size: 18.1 W x 13.4 H x 1.2 D in

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Originally listed for $710
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26 Views
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About The Artwork

'Distance' is a work inspired by a line of hills in the English countryside, shown as a far off thin blue line, perhaps in the morning light. The work is made in hand-dyed sycamore veneer and fumed English oak veneer which has been laid onto a 'free-veneered' base that creates undulations or contours on the surface of the work. The work is framed in a dark stained oak wooden frame and hung from a cord to the back. The image was created by hand dying small pieces of sycamore wood veneer and fumed oak veneer and carefully joining them together to form vertical lines of colour. These lines were then joined together to form the overall image, the deep brown of the fumed oak with the subtle blues of the hand-dyed sycamore. The whole picture is laid over the undulating base which gives the finished piece a three-dimensional quality and greater depth.

Details & Dimensions

Painting:Wood on Wood

Original:One-of-a-kind Artwork

Size:18.1 W x 13.4 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Kevin Stamper works in wood and wood veneers and uses form, colour and texture as the key elements of his work. He pushes the boundaries of what is normally achievable with the medium of solid wood and wood veneers, utilizing the nature of the material to add drama to his compositions. After a recent back injury, he has moved away from making the large furniture pieces he has become known for and now focusses on using his experience and craft skills to create abstract wall-hanging art pieces. The new work is an extension of his practice in furniture and is made to the same exacting standards but allows for a much greater degree of freedom and experimentation. “As a natural material, timber has an energy of its own and after years of trying to accommodate and control this force, I now relish the notion that the wood will twist, warp, split and crack of its own accord, creating new and dynamic shapes and textures. I give the work a starting point and a general direction in which to proceed, the material then takes over and finds its own path to completion.” He mainly works in two timber types, burr oak and plain sycamore. The burr oak is fumed with ammonia to give it a deep brown tone that makes it sometimes hard to identify on first sight; viewers have confused it with beaten steel and old leather amongst other things. The sycamore is hand-dyed using dyes that allow the natural grain patterns of the wood to shine through and add lightness to the composition when cut into squares and arranged in pixelated patterns. The juxtaposition of the deep brown oak and the brightly coloured sycamore squares creates a vivid landscape which the viewer can reflect upon and interpret in their own time. By its nature, the work is very tactile with undulating waves and contrasting textures in the rough open grained oak and the smooth polished sycamore inviting the viewer to touch and feel the warmth of the material. All pieces are finished with a very clear acrylic lacquer which protects the timber and helps to prevent the colours fading in sunlight.

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