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Forbidden Artwork

Claudia Lodolo

Italy

Mixed Media, Acrylic on Wood

Size: 35.4 W x 35.4 H x 0.8 D in

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$2,090

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ABOUT THE ARTWORK

Forbidden to Eve in Eden, the apple in this work, similar to a car ban, becomes the symbol-ban imposed on a woman, wherever she belongs in the world. "Forbidden" is the ban on working, studying, dressing, choosing, voting, governing, representing and pointing the finger at obscure, ancestral mechanisms and world wills that have always created an unjustified inequality between men and woman. To the woman, living itself is sometimes “Forbidden”.

DETAILS AND DIMENSIONS
Mixed Media:

Acrylic on Wood

Original:

One-of-a-kind Artwork

Size:

35.4 W x 35.4 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Rome in 1965. My father, Sandro Lodolo, was a creative, graphic designer and director of television spots and themes, my mother, Isabella Fedeli, was a pop singer for RAI in the 60's. Graduated in scenic design at the Academy of Fine Arts in Rome, I started working in 1985 with my father, owner of Lodolofilm that from 1958 to 1968 had as a collaborator, the artist Pino Pascali on which, in 2012 I published the monograph "32 anni di vita circa. Pino Pascali raccontato da amici e collaboratori" (32 years of life, about. Pino Pascali told by friends and co-workers) (Carlo Cambi Editore, Poggibonsi). I always painted preferring conceptual themes with a style that remembers the "Scuola di Piazza del Popolo" to which belonged Pino Pascali, Mario Schifano, Franco Angeli and Tano Festa. Since some years I have concentrated my work on what I call "flocks": sheep and cars in traffic. The first, sheep, is a "good", white, natural flock; the second, cars, is an ugly, dirty, polluting "flock". The contrast between the "civilization" that advances with asphalt steps, and nature, more and more intimidated and limited in small non-urbanized areas, is the concept contained in my artistic production, through which I ask if the sheep are really more stupid, like the saying goes, then the humans who bury hectares of greenery under expanses of asphalt and concrete. About fifteen yeras ago, I moved from Rome to the countryside to have more space, sunset view from my windows and a direct contact with nature.

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