VIEW IN MY ROOM
United States
Painting, Airbrush on Carbon Fibre
Size: 37 W x 19 H x 1 D in
Ships in a Crate
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Aircraft wings create lift by pressing air downward underneath, and pulling air flowing over the wing downward to meet it, creating a pattern of high pressure under the wing and low pressure over it. At the wing tip, however, the physical barrier (the wing, itself) between these low and high pressure regions disappears. High-pressure air from under the wing rushes up to the low-pressure area above, creating a vortex pattern attached to the wing tip. The wing, however, moves rapidly forward, out of the vortex pattern and into the more-or-less stationary air ahead. The situation repeats as the the wing forces more undisturbed air downward, creating new regions of high and low pressure, and extending the vortex pattern. In the end, the whole pattern of disturbed air has sheets moving downward across the entire wing’s width, with long vortices corkscrewing off the wing tips and trailing behind. From a vantage point ahead of the wing, the viewer sees a broad downwash across the wing, with rams-horn-shaped vortices corkscrewing from the wing tips. As time goes on, viscosity of the air spreads angular momentum from the wing-tip vortices away from the center, dissipating it through the atmosphere.
Painting:Airbrush on Carbon Fibre
Original:One-of-a-kind Artwork
Size:37 W x 19 H x 1 D in
Frame:Black
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
I work at the interface between perception and reality. Actually, all artists work at the interface between perception and reality. The difference, if any, is that I work explicitly at the interface between perception and reality. I don't try to kid you into thinking that what you are experiencing is reality in any way, shape or form. Neither is it any kind of more-or-less abstract representation of reality. I'm not creating reality, I'm creating perception. The artist creates an object - whether it's a book, a painting, a sculpture, a mobile, or a serving of eggs Benedict - that exists in reality. When you experience that object, what you percieve is something entirely different, which exists only in your mind. It does not, and may never have, existed in reality. That is subjective reality. Objective reality isn't. In subjective reality, your mind creates a perception guided by the vision of the artist. The work of art is successful insofar as the object the artist created leads you to the perception he or she intended. Usually, what I intend is to guide you to a pleasant perceptual experience. Have a pleasant perceptual experience!
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