VIEW IN MY ROOM
Canada
Photography, Color on Paper
Size: 21 W x 14 H x 0.1 D in
Ships in a Tube
Shipping included
Artist Recognition
Artist featured in a collection
This was the frontispiece image for Double Reflection, as show shared with painter Pat Leary who derived a series of paintings from photographs I had taken when we both were in Israel. My teacher, Jay Maisel, always reminded us to look left when others were looking right. Here opposite one of the most visited sites in the world was this little girl. She was in her own world, that as personal and mysterious as that inhabited by any of the worshippers so near, yet so far away.
Photography:Color on Paper
Artist Produced Limited Edition of:1
Size:21 W x 14 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Canada.
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Canada
In February 2022 FRAMES, a European fine art photography journal, honoured me with a lengthy profile. You can access it with this link: https://readframes.com/frames-podcast-with-harvey-schipper/ I am often asked, "What is my style?" Many comment that my work is very painterly; soft colours, abstract gestures, perhaps more mood and tone than documentation. Others posit that I'm a soft documentarian, often with a wry or subtle ironic sense. I'm neither, and as I explain below, my style is one of 'resonance'. My artistic goal in presenting an image is to take you into the moment and have you linger, even come back to consider the story further. As with a materials artist who matches material to context, my goal is to match a style with the story. It is artistic eclecticism. My intent is that the image so resonate with the moment that every aspect takes you, the viewer there. Its not the big bang of first sight, though that certainly helps. Rather I hope you will be intrigued by the emerging story, and the small details that keep bringing you back. What follows is how I got there. ............................................................................. I still have memories of the ominous knock on the darkroom door of Oakwood Collegiate in Toronto at about 2:00 a.m. when the imposing school principal, William Tovell, found me there after my parents phoned the school in a panic because their son had not come home. It was the early 1960’s and I was hooked on photography. My photographic exploits became much less intensive during the university years studying engineering and medicine. I had a camera and a few lenses and would occasionally take them on trips. I didn't do any darkroom work until many years later. Nonetheless, along the way I would go to photography exhibits, read about photography and occasionally have the pleasure of conversation with camera artists such as Yusuf Karsh. I set up a home darkroom, and began to work in color and develop some expertise in the use of Cibachrome. I began to carry my camera again. My work as a cancer researcher took me around the world, and my camera was the way I told my story. Could I become so in tune with what I experienced that, in a single image, I might convey more than the ‘facts’,-the spirit, the emotion and the context of what I saw? I began to develop a style I’ve come to call ‘resonance’. From there a show and some sales followed.
Artist featured by Saatchi Art in a collection
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