VIEW IN MY ROOM
Israel
Painting, Acrylic on Canvas
Size: 50 W x 30.3 H x 0.8 D in
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All the characters used for this project are pictures of fans from concert from the 60’s,70’s (Beatles, Elvis, Rolling Stones...) So most of the characters are happy, in euphoria, because they are celebrating. About the pattern, I have been using the magnolia pattern for one year in 90% of my work, in different ways, sketches, Lino print, painting, mural... and still blooming. Did you know that magnolia existed before bees? Do you understand what it implies? The use of layers implies space consideration and interaction. The viewer may not be aware of all the many theories about colors. I use layers and other techniques to reveal new approach of colors. therefore you are able to understand the color spectrum and how light prism work. since more than 15 years I use geometry and different studies about architecture and impossible geometry. Structure, even the dis-functional ones are the baselines of every composition. Even if you don’t see it clearly. As artists, we are building artifact for your imagination. I realized that people are more interested to have an audience. So,I started to paint their own fans. Meaning that if you are in front of this paintings, you have your crowd. You are the subject. Not the painting. One more thing, women in the art world are less represented, exposed, paid than men. Nearly half (45.8%) of visual artists in the United States are women; on average, they earn 74¢ for every dollar made by male artists. (National Endowment for the Arts) Women working across arts professions make almost $20,000 less per year than men. (Artsy) (i did some more research about diversity and parity in the art world with facts and metrics to show the evolution) So if you didn’t know, that also one of the reason why I paint women. Because every time my work is shown in an exhibition, published, or has interactions it will put one more woman in the (Art) world.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:50 W x 30.3 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Israel.
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Israel
French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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