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Spain
Mixed Media, Acrylic on Concreto
Size: 27.6 W x 39.4 H x 0.8 D in
Ships in a Crate
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"concretamente" - Serie de estados físicos y mentales derivados de las experiencias personales a lo largo de 40 años. Grabados sobre planchas de cemento (concreto), pigmentos mediante diferentes técnicas. "concretely" - Series of physical and mental states derived from personal experiences over 40 years. Engravings on concrete slabs, pigments using different techniques.
Multi-paneled Mixed Media:Acrylic on Concreto
Original:One-of-a-kind Artwork
Size:27.6 W x 39.4 H x 0.8 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Yes
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Born in Oviedo in 1977, my life is spent between trips and experiences. Of artistic formation in the School of Art of Oviedo where five years of artistic formation and design course. I share in these years classrooms and knowledge in workshops of sculpture, painting, photography, drawing and design. In 2000 I moved to Barcelona to expand training in the workplace, where I contacted the best professionals in the country, making personal, artistic and labor projects of great importance throughout the national territory, England and Italy. In the year 2005 I return to Oviedo, with the learned duties, the experimentation and start-up of the “Great Vital Project” begins. Apart from combining work in various design studios as Deputy Director and Coordinator of events and museums, I perform and collaborate in several artistic and musical installations (as a percussionist). The constant study of the environment and the observation of our movements as a society have been and will always be constant in the object of my work, the result is the criterion of the one who looks, listens and feels.
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