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United Kingdom
Painting, Oil on Wood
Size: 47.2 W x 39.4 H x 1.2 D in
Ships in a Crate
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Canadian Holding Company (CHC) has allowed open access to me to all aspects of the helicopter services industry, from flying, maintenance, repair and overhaul, to the passengers and pilots travelling to and from the ships and platforms that make up their offshore workplaces. The helicopter is a machine of considerable engineering sophistication and refinement, playing a unique role in modern aviation. The mechanical and aerodynamic complexity and higher power requirements are enormous. The art aims to capture the scientific achievement by exposing the ‘guts’ of the helicopter, illustrating intricate detail of the various components. The workers themselves are drawn loosely, striving to capture the essence of their activity, emphasizing their sense of movement in dissonance to the heavy machinery.
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:47.2 W x 39.4 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Originally from the Netherlands, Kate Steenhauer’s diverse career path has taken her from competitive tennis in her youth, to a PhD in Coastal Engineering at the University of Aberdeen, to visual art. Through National Theatre of Scotland, she developed an interdisciplinary approach involving live drawing in Japanese ink unfolding on a screen through a projector and interacting with a narrative on a live stage. These performances hold elements of risk, are real and fresh for audience and artists, and transformable into audio-visual installations and Japanese ink drawings on rice-paper. Multiple interdisciplinary collaborations have put this into practice: Opera Holland Park, where she collaborated with Conductor Matthew Waldren during a Puccini production, earning her the 2017 Aberdeen Visual Artist Award. The Shelter combines live drawing with a multi-voiced verbatim performance by Shane Strachan. Initially developed on the streets of Aberdeen, the work was supported by National Theatre of Scotland and Aberdeen Performing Arts, performed at the Lemon Tree in 2018 and commissioned for Aberdeen Festival of Light and Haddo House Arts Festival, where it won an installation prize. Hedda is a live stage performance in which a dialogue is created between movement, sound and Japanese ink drawings in collaboration with Choreographer Newland and Sound Artist Kim. The dialogue focuses on malfunctioning of human body and mind, was supported by Creative Scotland and CityMoves Dance Agency, and performed at Aberdeen University 2018 May Festival. Currently she is collaborating with Aberdeen University correlating ink drawings with music through Artificial Intelligence based on the principles of art and music. This work leads to an interactive performance between her and the ‘AI Brain’. She has a significant track record in collaborating with Scottish industries; through behind-the-scene access at Speyside Cooperage, stood on Helicopters in gigantic hangars at Aberdeen Heliport, captured life at the Shipyards of Aberdeen, a Wool mill still using Victorian machinery and a livestock auction at Thainstone Mart. This multiple award-winning body of work has been exhibited in solo shows in Venice and Scotland (Meffan, Heinzel, Eion Stewart Fine Art Galleries and Duff House), and has regularly been part of national shows at The Mall Galleries London, Bankside Gallery, Royal Scottish Academy and Royal Glasgow Institute of The Fine Arts.
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