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United States
Painting, Acrylic on Wood
Size: 10 W x 10 H x 0.8 D in
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"Fan Box" is part of the series “Abstract Realism Paintings: Objects, Faceless Portraits & Reflections”. Found objects are photographed, cropped and then repurposed as a two-dimensional design. The abstraction lies in the ambiguity of what is being represented. This acrylic painting on wood can be hung as is, or framed as desired.
Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:10 W x 10 H x 0.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United States.
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United States
Statement My intent is to create contemplative art. Examining process and perception is a major part of my practice. While striving for a strong visual aesthetic — focusing on structure, rhythm and nuance — I investigate concepts such as ambiguity, identity and duality. Use of graphics tools enhances and expedites my creative process. For instance, I often photograph works in progress, altering them in Photoshop to aid in decision-making. Architecture also plays a major role in my art. Space, structure and perspective are all key considerations during the development of my abstract work. Background Although I’ve lived in Connecticut for over 20 years I grew up in Philadelphia. My father was an architect, and his father an artist, whose portraits and other paintings filled our home. Entering Boston University as a piano performance major, I graduated in 1985 with a BA in art history and urban studies. I discovered graphic design through an elective course at BU. By taking the course multiple times I was able to build a portfolio, and secured my first post-college job at The Philadelphia Museum of Art. I was a graphic designer for over 20 years. Part of my expertise was color accuracy, especially when reproducing Museum art. This sensitivity to nuance is an important part of my art. When I first started to paint in the 90s my focus was portraiture. My aim was to connect, interpret and reveal. In order to control the narrative I stylized my portraits. areas were flattened and simplified; color was controlled and limited. Single works gave way to thematic series. In 2015 I turned to abstraction, continuing to apply many of the concepts, strategies and techniques I had developed in portraiture. Abstraction provides freedom from constraints of visual reference and depiction. In this realm I am able to more directly implement graphic applications. My work has been in several exhibitions and is in numerous private collections.
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